Category: Streaming Titles

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Anime World Order Show # 239 – CLANG CLANG CLANG Went The Demon

Podcast: Download (Duration: 2:12:14 — 60.6MB)

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2025 is off to a terrible start, not just in terms of current world events but because in this episode Daryl follows up on his previous review of the 1997 Berserk TV series with this review of the decades-anticipated Berserk sequel TV series from 2016. Oh boy.

Introduction (0:00 – 56:51)
It’s finally happened, after years of waiting! All of Macross (almost) is now streaming in the United States…with closed caption-y style subtitles because it’s Hulu and some edits to content because um…Disney? It’s still a major step forward. In addition, the one that isn’t streaming–Macross: Do You Remember Love?–is also now out on 4K UHD and finally with official English subtitles after decades of waiting…and it’s an AI upscale, like how they did Macross Zero. The Summer 2025 issue of Otaku USA Magazine is now out, and we’ve got reviews in there for some highly anticipated titles such as the They Were Eleven manga; no longer must you pay hundreds of dollars for used copies of Viz’s Four Shojo Stories! Discotek Media annnounced a new set of licenses, so we recap their anime announcements. This time around, they were focusing more on live-action and US animation than anime, but there’s still some solid Japanese animation picks worth considering. We then talk about what we’ve checked out in this current anime season that’s just started, as one has to do every few months lest you fall too out of touch. Contrary to popular belief, the AWO is watching current anime regularly. We’re just mostly writing about it rather than doing podcast episodes, because we like to wait for things to be completed before reviewing them just in case the quality of the show varies relative to how it started.

Review: Berserk 2016 (56:51 – 2:12:14)
Now that we reviewed the original 1997 television series, it’s only fitting that Daryl follow up and review the Duke Nukem Forever of anime: the 2016 sequel that is a hybrid of 3D CG with some traditional 2D digital animation. Perhaps comparing it to Duke Nukem Forever is unwarranted. After all, even Duke Nukem Forever at least had Dr. Proton. Let’s not think too hard about the fact that Duke Nukem Forever is now such a long time gone that it’s been out for pretty much as long as people were waiting for it to come out in the wake of Duke Nukem 3D. Anyway, this Berserk 2016 TV show remains a meme, and it’s been almost a decade. Daryl elected to show Gerald and Clarissa–who’d never actually seen it before–the retail Blu-Ray version (which he owns!), since that’s the “fixed” and “cleaned up” version rather than the broadcast version everybody else gets their animated GIFs and screen grabs from since that was a massively anticipated simulcast once upon a time. There is probably nothing about this we can say or insight we can provide that hasn’t extensively been said before by others who know Berserk in far more granular detail than we do.

We imagine everyone who worked on this that wasn’t one of the 8 credited producers asked this daily.
Nine credited production companies brought this to you. None of them could successfully blend what they were doing with what the others were doing.
That was how we felt too, Farnese. But this was episode 2 of 24.
Every time they showed Sonia’s face in the credits, all I could think about was Osaka from Azumanga Daioh because of her agape mouth.
The end credits of the final episode are in a totally different, mostly 2D style. We feel like this is the studio saying “we would’ve wanted the whole show to be done this way, but we were too small to handle the production ourselves.” We have no evidence to support this aside from the scene existing as it does, where it does.
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Anime World Order Show # 236 – It’s Shark Time, Baby

Podcast: Download (Duration: 1:47:03 — 49.1MB)

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The initial version of the file that was uploaded was in stereo rather than mono, meaning different people spoke on different channels. That has now been fixed. Delete the old file and redownload if you encounter this issue.

Although we’re posting this on Halloween, there’s not much especially spooky about this episode since after having seen Uzumaki, Daryl has instead elected to review the theatrical film adaptation of Look Back by Tatsuki Fujimoto. Be forewarned that we do spoil it all in the event you didn’t already read or watch it first.

Introduction (0:00 – 54:24)
We were fortunate that the two recent hurricanes did not do significant damage to where any of us were, but it was lucky breaks on both occasions. We go over what we’re watching in the current anime season, and Daryl finally receives his Macross Plus Blu-Ray set. Not mentioned in the recording is the fact that due to inadequate packaging during transportation–this despite shipping from the old Right Stuf warehouse, which has clearly been mandated some changes to their procedures and policies by the new Sony ownership–a corner of his Blu-Ray set box was slightly crushed despite no damage to the exterior packaging box; an extremely common thing which Crunchyroll Store’s service reps say they can do absolutely nothing to remedy. This is not even close to the worst news coming out about Crunchyroll as we touch upon the then-breaking David Wald situation and contrast that with some recent financial publication coverage of Crunchyroll strategically rolled out to coincide with the broadcast start of the new Dragon Ball Daima series. Toho’s acquisition of GKIDS has us wondering if a similar fate will befall them, for the number of independent anime publishers in the US is basically down to about two or three guys at this point. Oh yeah, and we also talk about the anime adaptation of Uzumaki, which was originally going to be the subject of this episode until well, we saw the rest of it. Not stated in this recording: we’re 99.5% sure that the infamous quality drop coincides with the concurrent-with-production merger of Warner Brothers and Discovery to form WBD and the appointment of then-new CEO David Zaslav. We’re placing our chips on the roulette wheel as far as that, since it’d also neatly explain why Jason DeMarco couldn’t name names when talking about who was responsible (before locking/disabling his social media accounts).

Review: Look Back (54:24 – 1:47:03)
Originally released in US theaters in a very limited engagement, 2024’s Look Back vastly exceeded expectations and got additional showtimes, which on a per capita basis is better than the singing clown movie everybody who saw it hated. Adapted from a one-shot released in 2021 by Chainsaw Man creator Tatsuki Fujimoto, this film by Kiyotaka Oshiyama (whom we’d previously talked about in our review of Flip Flappers) is absolutely worth seeing by everyone. It’ll stream on Prime Video starting November 7, 2024. You can also read the original manga courtesy of Viz, who have released it both in print as well as digitally. If you pay the $3 a month for Shonen Jump, it is available to read as part of that. Daryl recommends you either watch the film or read the manga before listening to this, since we basically summarize what happens scene by scene from start to finish in order to give our thoughts on it.